Captivated by the susceptibility of our consciousness, I respond to the absurdity of human beliefs, perceptions and behaviours by questioning what it truly means to be self-aware in an abrasive, modern society. By probing the boundary between our internal and external self, I attempt to describe the impact societal perceptions of value systems, gender roles and class divides have on our individual and collective consciousness. This scrutiny culminates in critical sculptures that emphasise the consequences of living performatively while exposing the restrictive bond we have with our flesh and the social situations that come along with it. Highlighting the importance of retaining conscious agency is a consistent theme throughout my work.

Consumed by the figure, or parts of it, this work exists in the realm of the uncanny, as it balances between the hyper-real and the surreal.

With a craft-heavy background, process and skill play an important role in my practice. My experience as a glassblower and mould-maker continues to fuel my material curiosity and allows me to yield impressive results in an array of hands-on disciplines. From the short-lived intensity of sculpting a mass of hot glass to the meditative repetition of punching hair in cast silicone, the material dexterity of my work lies at the intersection of craft and visual art. This cross-pollination lends itself to experimental and innovative work that celebrates thought and technique as equals.